Wednesday, April 17, 2013

A Delightful Party



credit: www.blacktieguide.com

"And how to describe a London party? Candles in lustres of cut-glass are placed everywhere about the house in dazzling profusion; elegant mirrors triple and quadruple the light until night outshines day; many-coloured hot-house fruits are piled up in stately pyramids upon white-clothed tables; divine creatures, resplendent with jewels, go about the room in pairs, arm in arm, admired by all who see them. Yet the heat is over-powering, the pressure and noise almost as bad; there is nowhere to sit and scarce anywhere to stand. You may see your dearest friend in another part of the room; you may have a world of things to tell him - but how in the world will you ever reach him? If you are fortunate then perhaps you will discover him later in the crush and shake his hand as you are both hurried past each other. Surrounded by cross, hot strangers, your chance of rational conversation is equal to what it would be in an African desert. Your only wish is to preserve your favourite gown from the worst ravages of the crowd. Every body complains of the heat and the suffocation. Every body declares it to be entirely insufferable. But if it is all misery for the guests, then what of the wretchedness of those who have not been invited? Our sufferings are nothing to theirs! And we may tell each other tomorrow that it was a delightful party."

~Susanna Clarke from Jonathan Strange & Mr. Norrell

Tuesday, April 16, 2013

A Conspiracy



"As to basic structure, a revolution starts as a conspiracy; therefore structure is small, secret, and organized as to minimize damage by betrayal - since there are always betrayals." 

~Robert A. Heinlein from The Moon is a Harsh Mistress

Friday, April 12, 2013

Infinite and Unknowable


credit to: www.wallsave.com

"Wars make history seem deceptively simple. They provide clear turning points, easy distinctions: before and after, winner and loser, right and wrong. True history, the past, is not like that. It isn't flat or linear. It has no outline. It is slippery, like liquid; infinite and unknowable, like space. And it is changeable: just when you think you see a pattern, perspective shifts, an alternative version is proffered, a long-forgotten memory resurfaces." 

~Kate Morton from The House at Riverton

Wednesday, April 10, 2013

Its Merest Shape



"I see that it is a photograph, a host of black and white figures with serious faces. Even from a distance the image is familiar to me. I remember it instantly, in the same way a film seen long ago, a dream, a painting, can be recalled through its merest shape."

~Kate Morton from The House at Riverton

Monday, April 8, 2013

A Spell in an Ancient Tale



"The room was large, rectangular and gloomy, and wore the pallor of decorous neglect. It gave the impression of desertion, of a spell in an ancient tale. It slept the sleep of a hundred-year curse."

~Kate Morton from The House at Riverton

An uncanny feeling



"It is an uncanny feeling, that rare occasion when one catches a glimpse of oneself in repose. An unguarded moment, stripped of artifice, when one forgets to fool even oneself."

~Kate Morton from The House at Riverton

Thursday, April 4, 2013

Can't get over the past



"'Men and women who can't get over the past,' Aunt Evie said. 'That's what ghosts are. Not them.' She flapped her arm toward the coffin which stood on its bands beside the coincidentally fresh grave. 'The dead are dead. We bury them, and buried they stay.'"

~Stephen King from Needful Things